TALKS
- “Opera e italianità nell’Adriatico orientale”, seminar, Università di
Pavia/Cremona, Dipartimento di Musicologia, 31.5-1.6.2018
- “What archival documents tell us about Eastern Adriatic Theatres
and operatic production system at the dawn of the XX Century”,
International Conference The role of national opera houses in the 20th
and 21st centuries: on the 100th anniversary of the opening of the
National Opera in Ljubljana, Ljubljana, 16-18.4.2018
- “Producing and performing Opera in Italy between 19th and 20th
Century”, International musicological colloquium, Università di Pavia,
18.1.2018 [as organiser and moderator]
- “Bach e la musica della riforma”, conferenza, Istituto Italo-Tedesco, Piacenza, 15.12.2017
- “…e sempre andremo di male in peggio”: impresari e organizzazione
operistica da Fiume a Ragusa in epoca di crisi, 2nd Transnational Opera
Studies Conference - Tosc@, Universität Bern, 5-7.7.2017
- “Operatic production system in Eastern Adriatic Theatres”, seminar, University of Ljubljana, 24-25.5.2017
- “Fernand de La Tombelle e la
Schola cantorum”, Centre de musique romantique française, Palazzetto
Bru Zane, Venezia, 11.4.2017
- “Organizzare l’opera nell'Adriatico orientale: impresari, sistema produttivo,
networks (1861-1918)”, seminar, Università di Catania, Dipartimento di Scienze umanistiche, 6.12.2016
- “Organizzare l’opera nell'Adriatico orientale: impresari, sistema produttivo, networks (1861-1918)”, seminar, Università di Palermo, Dipartimento Culture e Società, 5.12.2016
- [“Tracing Italian Opera in the
Eastern Adriatic Theatres: peculiarities, productions and role of
national identity (1861-1918)” Jahrestagung "Musik und Migration",
Österreichischen Gesellschaft für Musikwissenschaft, Salzburg,
6-8.10.2016] *poster
- “Konzertsaal oder Museum? Über
das Hören und den performativen Zusammenhang von Geste und Bild in der
Musik Giuseppe Chiaris”, Jahrestagung Deutsche Gesellschaft für
Musikforschung, session "Wider der Fetisch der Partitur: Hörprobleme
serielle und post-serielle Musik", Mainz, 14-17.9.2016
- “Tracing Italian Opera in the Eastern Adriatic Theatres:
peculiarities, productions and role of national identity (1861-1918)”,
International Conference Music History and Cosmopolitanism, Helsinki,
University of the Arts, 1-3.6.2016
- "«Dolorosa ci fu la partenza»: i canti di protesta
e di nostalgia” in Musica, soldato di pace. La Grande Guerra 1915-2015,
Conferenza, stagione concertistica 2015/2016, Amici della Musica,
Palazzo Mantica, Udine, 10.5.2016*
- "Das italienische Musiktheater in Istrien und
Dalmazien in der zweiten Hälfte des 19. Jh.: Probleme und
Forschungsperspektiven", Gastvortrag, Universität Wien, Institut für
Musikwissenschaft, 28.4.2016*
- "Il teatro d'opera Italiano in Istria e Dalmazia
nella seconda metà dell'Ottocento: problemi e prospettive di ricerca",
seminario per dottorandi, Università degli Studi di Padova, 20.4.2016*
- “From the theatre to the church: some remarks on
the censorship upon operatic style at the time of the Cecilian
regimentation”, Slovenian Music Days, Slovenian Society of Musicology,
Ljubljana, Slovenia,16-19.4.2016*
- “«Divine!» «Egregious!» «Incomparable!»: keywords
for celebrity and divas descriptions in post unification Italy’s
musical press”, Colloque international et interdisciplinaire De
Farinelli à Bowie : l'invention de la célébrité en musique
(XVIIIe-XXIesiècles) Dispositifs. Figures. Œuvres, Paris, France,
26-28.11.2015
- “Opera italiana nei teatri dell’Adriatico
orientale: una prima ricognizione (1861-1918)” (“Italian opera in
Eastern Adriatic Theatres: a first investigation [1861-1918]”), XIX
Colloquium of Musicology of the Saggiatore Musicale, Bologna, Italy,
20-22.11.2015
- “Describing Divas: Verdian singers and music
criticism in the press of the post-unitarian Italy”, International
Conference XIX Century music criticism, Lucca – Centro Studi Opera
Omnia Luigi Boccherini, Italy, 10-12.11.2015
- “«Cantò spiegando un tesoro inesauribile di
grazia»: cantanti verdiane e critica musicale nell’Italia post
unitaria”, XXII Annual Conference of the Italian Society of Musicology,
Perugia, Italy, 30.10.2015-1.11.2015
- “Contemporary opera in Italian theatres from the
second postwar period to the Seventies”. International conference
Between universal and local: modernism to postmodernism, World Music
Days, University of Ljubljana, Slovenia, 28-30.9.2015
- “«Se cantassi sovente con quell’impegno
febbrile, presto morrei»: notes from Romilda Pantaleoni’s unpublished
correspondence”, 1st Transnational Opera Studies Conference Tosca,
University of Bologna, Italy, 1.7.2105
- “Verdi biographies: historical evolution and
perspectives”, International Conference Musical biography: national
ideology, narrative technique, and the nature of myth, University of
London, Institute of Musical Research, Senate House, UK, 9.4.2015
- “Giuseppe Verdi e l’Otello: influssi, caratteri e
identità” (“Giuseppe Verdi and Otello: influences, characters,
identities”), Talk, University of Zadar, Ceremony Hall, Croatia,
23.2.2015
- “Attorno alla creazione dell’Otello verdiano:
caratteri e identità” (“Around the creation of the verdian Otello:
characters and identities”), Doctoral seminar, University of Padua,
Beni Culturali Department, Italy, 2.2.2015*
-
Gastvorträge, Martin Luther Universität Halle-Wittenberg, Institut für Musikwissenschaft, Germany, 15-19.12.2014*
-
“La ricerca bibliografico musicale: strumenti e metodi nel panorama
internazionale” (“The music-bibliographic research: tools and methods
in the international panorama”), seminar, Conservatory "A. Boito",
Parma, Italy, 5.12.2014*
- “I canti di protesta nella Grande Guerra”
(“Protest songs of the First World War”), International Conference
Music and war from Napoleon to the WWI, Lucca, Complesso di San
Micheletto, Italy, 30.11.2014
- “Operatic activity in Italian theatres during the
World War 1”, International Conference Theatres of the World War I, St.
Petersburg State Museum of Theatre and Music, Russia, 24.10.2014
- “Romilda Pantaleoni tra Ponchielli, Verdi e
Puccini: quale ruolo sui palchi italiani di fine Ottocento?” (“Romilda
Pantaleoni between Ponchielli, Verdi e Puccini: what role on Italian
stages of the late Nineteenth Century?”), XXI Annual Conference of the
Italian Society of Musicology, Verona, Conservatory “Dall'Abaco”,
Italy, 19.10.2104
- “The Brandenburg Concerto n. 4 (BVW 1049) by J.
S. Bach”, Doctoral seminar, Comenius University, Department of
Musicology, Bratislava, Slovakia, 25.9.2014*
- “I canti italiani della Grande Guerra” (“Italian
Songs of the First World War”), Talk, Istituto Italiano di Cultura in
Bratislava, Slovakia, 24.9.2014
- “«In Milan great things are to be prepared»:
Bruno Maderna and Luciano Berio in the Fifties”, seminar, Comenius
University, Department of Musicology/ Bratislava, Slovakia, 23.9.2014*
- " I canti della Grande Guerra” (“Songs of the
First World War”), Talk, Società Dante Alighieri - Graz, Austria,
17.6.2014
- “The 'Studio di Fonologia Musicale' of the RAI in
Milan: composers and works between the Fifties and the Sixties”,
seminar, University of Ljubljana, Faculty of Arts, Department of
Musicology, Slovenia, 26-27.5.2014*
- “Introduzione al quinto concerto brandenburghese
(BWV 1050) di J.S. Bach” (“Introduction to the fifth Brandenburg
Concerto BWV 1050 by J.S. Bach”), seminar, Conservatory “G.
Frescobaldi”, Ferrara, Italy, 30.4.2014*
- “Il quarto concerto brandenburghese di Bach:
un’analisi” (“The fourth Brandenburg Concerto by Bach: an analysis”),
seminar, Conservatory “F. Dall'Abaco”, Verona, Italy, 16.4.2014*
- “«Qui si muore gridando: assassini!»: singing the
protest in Italy during the First World War”, Slovenian Music Days,
Slovenian Society of Musicology, Lijubljana, 13.3.2014
- “Strumenti della ricerca musicologica” (“Tools
for musicological research”), seminar, Conservatory "G. Tartini",
Trieste, Italy, 24.1.2014*
- “The reform of sacred music in North-Eastern
Italy (1884-1907): impulses, contradictions, expectations”, Ars Sacra
International Conference and Festival, Emanuel University - Oradea,
14.12.2013
- “«Si approva per l’esecuzione»: regolamentazione
del repertorio sacro in territorio udinese agli albori del Novecento”
(“«Approved for performance»: regulations for the religious repertoire
in the territory of Udine at the dawn of the XXth century”), Study Day
Candotti, Tomadini, De Santi e la riforma della musica sacra nella
seconda metà dell’Ottocento (Candotti, Tomadini, De Santi and the
reform of religious music in the second half of XIXth Century), Venice,
Levi Foundation, Italy 14.11.2008
- “Per una storia dell’attività concertistica
attorno agli “Amici della Musica” di Udine” (“For a history of the
concert activity related to the “Amici della Musica”/”Music Friends”
Association in Udine”), Talk for the 85th anniversary of the “Amici
della Musica”, included in the 2006/2007 concert season of the “Amici
della Musica” association, Università della LiberaEtà, Udine, Italy,
13.1.2007
- “Alcune riflessioni sul concetto di “autenticità”
dell’interpretazione musicale” (“A few reflections on the concept of
“authenticity” in musical interpretation”), X Colloquium of Musicology
of the Saggiatore Musicale, Bologna, Italy, 25.11.2006
- “Echi del concertismo internazionale in
territorio friulano: artisti celebri attorno alla società “Amici della
Musica” di Udine” (“Echoes of international concert practice on the
Friulian territory: famous artists around the “Amici della Musica
/“Music Friends” Society of Udine”), XII Annual Conference of the
Italian Society of Musicology, Torino, Teatro Regio, Italy, 20.10.2006
- “L’interpretazione musicale secondo il concetto
di “autenticità”, tra archeologia della musica e decostruzionismo” (“Musical interpretation according to the concept of
“authenticity”, between archaeology and deconstructionism”), University
of Udine Udine, Doctorate course in Theory, Techniques and Restoration
of Cinema, Music and Audiovisuals, Italy, 6.6.2006
- “Csound come strumento universale per la sintesi
del suono” (“Csound as universal instrument for sound synthesis”), 36°
International Conference of Musical Studies in Gorizia, Gorizia, Italy,
13.7.2005
- “Siro Cisilino (1903-1987) trascrittore e
curatore di musica rinascimentale” (“Siro Cisilino (1903-1987),
transcriber and editor of Renaissance music”), 35° International
Conference of Musical Studies in Gorizia, Gorizia, Italy, 12.7.2004
- “La diaspora dei musicisti friulani in Europa nel
Rinascimento” (“The diaspora of Friulian musicians in Europe during the
Renaissance”), Talk for the seminar of scientific readings organised by
the Philharmonic Academy of Bologna in Verona, prof. Giuseppe Vecchi,
Italy, 28-29-30.8.2004
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Helsinki, University of the Arts, 3.6.2016
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University of Padua, 20.4.2016
Giuseppe Verdi e l'Otello: influssi, caratteri, identità
University of Zadar, 23.2.2015
Music and war from Napoleon to the WWI, Lucca, Complesso di San Micheletto 28-30.11.2014
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Candotti, Tomadini, De Santi e la riforma della musica sacra, Venice, Levi Foundation, 14-15.11.2008
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