TALKS

-    [next-confirmed: “Fernand de La Tombelle e la Schola cantorum”, Centre de musique romantique française, Palazzetto Bru Zane, Venezia, 11.4.2017]

- “Organizzare l’opera nell'Adriatico orientale: impresari, sistema produttivo, networks (1861-1918)”, seminar, Università di Catania, Dipartimento di Scienze umanistiche, 6.12.2016

- “Organizzare l’opera nell'Adriatico orientale: impresari, sistema produttivo, networks (1861-1918)”, seminar, Università di Palermo, Dipartimento Culture e Società, 5.12.2016

-   [“Tracing Italian Opera in the Eastern Adriatic Theatres: peculiarities, productions and role of national identity (1861-1918)” Jahrestagung "Musik und Migration", Österreichischen Gesellschaft für Musikwissenschaft, Salzburg, 6-8.10.2016] *poster

- “Konzertsaal oder Museum? Über das Hören und den performativen Zusammenhang von Geste und Bild in der Musik Giuseppe Chiaris”, Jahrestagung Deutsche Gesellschaft für Musikforschung, session "Wider der Fetisch der Partitur: Hörprobleme serielle und post-serielle Musik", Mainz, 14-17.9.2016
 
-   “Tracing Italian Opera in the Eastern Adriatic Theatres: peculiarities, productions and role of national identity (1861-1918)”, International Conference Music History and Cosmopolitanism, Helsinki, University of the Arts, 1-3.6.2016

-   "«Dolorosa ci fu la partenza»: i canti di protesta e di nostalgia” in Musica, soldato di pace. La Grande Guerra 1915-2015, Conferenza, stagione concertistica 2015/2016, Amici della Musica, Palazzo Mantica, Udine, 10.5.2016*

-    "Das italienische Musiktheater in Istrien und Dalmazien in der zweiten Hälfte des 19. Jh.: Probleme und Forschungsperspektiven", Gastvortrag, Universität Wien, Institut für Musikwissenschaft, 28.4.2016*

-    "Il teatro d'opera Italiano in Istria e Dalmazia nella seconda metà dell'Ottocento: problemi e prospettive di ricerca", seminario per dottorandi, Università degli Studi di Padova, 20.4.2016*

-    “From the theatre to the church: some remarks on the censorship upon operatic style at the time of the Cecilian regimentation”, Slovenian Music Days, Slovenian Society of Musicology, Ljubljana, Slovenia,16-19.4.2016*

-    “«Divine!» «Egregious!» «Incomparable!»: keywords for celebrity and divas descriptions in post unification Italy’s musical press”, Colloque international et interdisciplinaire De Farinelli à Bowie : l'invention de la célébrité en musique (XVIIIe-XXIesiècles) Dispositifs. Figures. Œuvres, Paris, France, 26-28.11.2015

-    “Opera italiana nei teatri dell’Adriatico orientale: una prima ricognizione (1861-1918)” (“Italian opera in Eastern Adriatic Theatres: a first investigation [1861-1918]”), XIX Colloquium of Musicology of the Saggiatore Musicale, Bologna, Italy, 20-22.11.2015

-    “Describing Divas: Verdian singers and music criticism in the press of the post-unitarian Italy”, International Conference XIX Century music criticism, Lucca – Centro Studi Opera Omnia Luigi Boccherini, Italy, 10-12.11.2015

-    “«Cantò spiegando un tesoro inesauribile di grazia»: cantanti verdiane e critica musicale nell’Italia post unitaria”, XXII Annual Conference of the Italian Society of Musicology, Perugia, Italy, 30.10.2015-1.11.2015

-    “Contemporary opera in Italian theatres from the second postwar period to the Seventies”. International conference Between universal and local: modernism to postmodernism, World Music Days, University of Ljubljana, Slovenia, 28-30.9.2015

-     “«Se cantassi sovente con quell’impegno febbrile, presto morrei»: notes from Romilda Pantaleoni’s unpublished correspondence”, 1st Transnational Opera Studies Conference Tosca, University of Bologna, Italy, 1.7.2105

-   “Verdi biographies: historical evolution and perspectives”, International Conference Musical biography: national ideology, narrative technique, and the nature of myth, University of London, Institute of Musical Research, Senate House, UK, 9.4.2015

-    “Giuseppe Verdi e l’Otello: influssi, caratteri e identità” (“Giuseppe Verdi and Otello: influences, characters, identities”), Talk, University of Zadar, Ceremony Hall, Croatia, 23.2.2015

-    “Attorno alla creazione dell’Otello verdiano: caratteri e identità” (“Around the creation of the verdian Otello: characters and identities”), Doctoral seminar, University of Padua, Beni Culturali Department, Italy, 2.2.2015*

-  Gastvorträge, Martin Luther Universität Halle-Wittenberg, Institut für Musikwissenschaft, Germany, 15-19.12.2014*

-  “La ricerca bibliografico musicale: strumenti e metodi nel panorama internazionale” (“The music-bibliographic research: tools and methods in the international panorama”), seminar, Conservatory "A. Boito", Parma, Italy, 5.12.2014*

-     “I canti di protesta nella Grande Guerra” (“Protest songs of the First World War”), International Conference Music and war from Napoleon to the WWI, Lucca, Complesso di San Micheletto, Italy, 30.11.2014

-    “Operatic activity in Italian theatres during the World War 1”, International Conference Theatres of the World War I, St. Petersburg State Museum of Theatre and Music, Russia, 24.10.2014

-    “Romilda Pantaleoni tra Ponchielli, Verdi e Puccini: quale ruolo sui palchi italiani di fine Ottocento?” (“Romilda Pantaleoni between Ponchielli, Verdi e Puccini: what role on Italian stages of the late Nineteenth Century?”), XXI Annual Conference of the Italian Society of Musicology, Verona, Conservatory “Dall'Abaco”, Italy, 19.10.2104

-    “The Brandenburg Concerto n. 4 (BVW 1049) by J. S. Bach”, Doctoral seminar, Comenius University, Department of Musicology, Bratislava, Slovakia, 25.9.2014*

-    “I canti italiani della Grande Guerra” (“Italian Songs of the First World War”), Talk, Istituto Italiano di Cultura in Bratislava, Slovakia, 24.9.2014

-    “«In Milan great things are to be prepared»: Bruno Maderna and Luciano Berio in the Fifties”, seminar, Comenius University, Department of Musicology/ Bratislava, Slovakia, 23.9.2014*

-    " I canti della Grande Guerra” (“Songs of the First World War”), Talk, Società Dante Alighieri - Graz, Austria, 17.6.2014

-    “The 'Studio di Fonologia Musicale' of the RAI in Milan: composers and works between the Fifties and the Sixties”, seminar, University of Ljubljana, Faculty of Arts, Department of Musicology, Slovenia, 26-27.5.2014*

-    “Introduzione al quinto concerto brandenburghese (BWV 1050) di J.S. Bach” (“Introduction to the fifth Brandenburg Concerto BWV 1050 by J.S. Bach”), seminar, Conservatory “G. Frescobaldi”, Ferrara, Italy, 30.4.2014*

-   “Il quarto concerto brandenburghese di Bach: un’analisi” (“The fourth Brandenburg Concerto by Bach: an analysis”), seminar, Conservatory “F. Dall'Abaco”, Verona, Italy, 16.4.2014*

-    “«Qui si muore gridando: assassini!»: singing the protest in Italy during the First World War”, Slovenian Music Days, Slovenian Society of Musicology, Lijubljana, 13.3.2014

-    “Strumenti della ricerca musicologica” (“Tools for musicological research”), seminar, Conservatory "G. Tartini", Trieste, Italy, 24.1.2014*

-    “The reform of sacred music in North-Eastern Italy (1884-1907): impulses, contradictions, expectations”, Ars Sacra International Conference and Festival, Emanuel University - Oradea, 14.12.2013

-    “«Si approva per l’esecuzione»: regolamentazione del repertorio sacro in territorio udinese agli albori del Novecento” (“«Approved for performance»: regulations for the religious repertoire in the territory of Udine at the dawn of the XXth century”), Study Day Candotti, Tomadini, De Santi e la riforma della musica sacra nella seconda metà dell’Ottocento (Candotti, Tomadini, De Santi and the reform of religious music in the second half of XIXth Century), Venice, Levi Foundation, Italy 14.11.2008

-    “Per una storia dell’attività concertistica attorno agli “Amici della Musica” di Udine” (“For a history of the concert activity related to the “Amici della Musica”/”Music Friends” Association in Udine”), Talk for the 85th anniversary of the “Amici della Musica”, included in the 2006/2007 concert season of the “Amici della Musica” association, Università della LiberaEtà, Udine, Italy, 13.1.2007

-    “Alcune riflessioni sul concetto di “autenticità” dell’interpretazione musicale” (“A few reflections on the concept of “authenticity” in musical interpretation”), X Colloquium of Musicology of the Saggiatore Musicale, Bologna, Italy, 25.11.2006

-    “Echi del concertismo internazionale in territorio friulano: artisti celebri attorno alla società “Amici della Musica” di Udine” (“Echoes of international concert practice on the Friulian territory: famous artists around the “Amici della Musica /“Music Friends” Society of Udine”), XII Annual Conference of the Italian Society of Musicology, Torino, Teatro Regio, Italy, 20.10.2006

-   “L’interpretazione musicale secondo il concetto di “autenticità”, tra archeologia della musica e decostruzionismo” (“Musical interpretation according to the concept of “authenticity”, between archaeology and deconstructionism”), University of Udine Udine, Doctorate course in Theory, Techniques and Restoration of Cinema, Music and Audiovisuals, Italy, 6.6.2006

-   “Csound come strumento universale per la sintesi del suono” (“Csound as universal instrument for sound synthesis”), 36° International Conference of Musical Studies in Gorizia, Gorizia, Italy, 13.7.2005

-    “Siro Cisilino (1903-1987) trascrittore e curatore di musica rinascimentale” (“Siro Cisilino (1903-1987), transcriber and editor of Renaissance music”), 35° International Conference of Musical Studies in Gorizia, Gorizia, Italy, 12.7.2004

-   “La diaspora dei musicisti friulani in Europa nel Rinascimento” (“The diaspora of Friulian musicians in Europe during the Renaissance”), Talk for the seminar of scientific readings organised by the Philharmonic Academy of Bologna in Verona, prof. Giuseppe Vecchi, Italy, 28-29-30.8.2004